Iconographer software#

She currently resides in Northern Virginia with her husband Robert, a writer of many books, the Editor-in-Chief of The Catholic Thing and President of the Faith and Reason Institute in Washington, DC. Phil Zimmerman, Peter Pearson, Jody Cole, USA She works full-time as an iconographer filling commissions for churches, priests, religious organizations, and families as well as teaching workshops and lecturing at various venues nationwide. Veronica frequently gives lectures on the history and spirituality of iconography. She enjoys teaching workshops with the Arlington Diocese, Catholic Distance University, church groups, and private individuals. She also exhibits yearly in galleries and churches in Virginia, Maryland and Washington, D.C.įor the last 20 years, Veronica oversees student iconographers in her Guild, which meets every Saturday morning. May: 2014, Susan Kare walks us through some key points regarding the design of icons and symbols. Élan Magazine and the British Association of Iconography Review have also featured Veronica and her work, where she shares how she became an iconographer and her love for the art.Įxhibited at the Gallery at the Sheen Center in NYC. Michael's Catholic Church in Annandale, VA.)

She first conceived a love for icons in the Ukranian community where she lived.Īdoremus Bulletin (Regarding the installation of the Baptism icon at St.

Iconographer software#

Nei quadri di sotto troverete le notizie riguardando le associazioni del software Iconographeralle estensioni di file. She has been painting commissioned works for private individuals and public institutions worldwide. Il software Iconographer è nella nostra base giusto per questo motivo. All three phases of iconography work have been funded through donations from congregation members.Iconographer Veronica Royal has studied icon writing with Russian, Greek, and American master iconographers since 1995. Manos started the current work in mid-November and hopes to complete it by Dec. The current phase will complete all of the iconography in the altar area and on the walls beside it. The second phase completed nine years ago involved the dome in the roof of the sanctuary, Nakos said. The first phase of work included several important images and scenes on walls behind the altar. He started work at Holy Trinity about 15 years ago, Nakos said. Manos typically creates and installs icons for churches in phases. Byzantine painting is the language of icons, one that has its own principles, set of rules and logos. Orthodox icons are intentionally slightly abstract so the faithful can focus on the religious meaning of the art rather than be distracted by physical features of the art. Orthodox icons differ from images of Jesus and saints in other Christian churches, where the art often depicts them in a more realistic Renaissance style, Manos said. “Without art and what it’s all about - the meaning behind it - it is part of me.” He returned to the United States in 1986, and since has worked at 35 to 40 churches around the country, including Orthodox Church cathedrals in Detroit, New Orleans and Cleveland. He began working in Greece after studying iconography at Orthodox monasteries there on Mount Athos. “It was God’s will for me to come back into the church,” he said.

Originally an abstract painter, Manos has been painting icons since 1972.